Cover star – Van Morrison
1) P6 – full page HMV advert for DVDs. £12.95 will buy you a Paul Weller documentary called Into Tomorrow or the BBC comedy series Bruiser from David Mitchell, Robert Webb and Ricky Gervais.
2) P79 – the second page of three about how good The Wire is by James Medd. “The key is – and bear with us here – to think of it as a novel. Co-creator David Simon said that, not us. He’s compared it to Moby Dick (“you don’t meet the whale in the first chapter”) and, more usefully and rather less dangerously, to a crime novel in the spirit of Hammett and Chandler. Like a great crime novel, The Wire is realistic but poetic, more gripping the deeper you get into it and deeply satisfying. It makes other TV dramas look like comic books.”
3) P94 – James Medd again, this time interviewing KT Tunstall. He asks her about her audience.
“Well, the front row is usually lesbians, heckling me, going, ‘You know you are – go on, admit it.’ There’s always a couple of teenagers who’ve sneaked in, always someone’s parents who’ve never been to a gig before, and lots of couples. Before Universe & U, I tell them ‘If you’re on a date, this is probably the one to get your tongue in.’ Gets it over with…”
4) P121 – Jim White reviews Four Eyed Monsters, an independent film by Arin Crumley and Susan Buice. It was released straight onto the internet, streaming at http://www.foureyedmonsters.com; it isn’t there any more, the site has been taken over by a budgeting company. “It’s a fine debut, a piece of deft story-telling and technical precision, a warm, wise and witty comedy about the kind of neurotic, self-obsessed New York love affair that Woody Allen used to make in the days when he still made films in his home town.”
5) P27 – Justin Spear rounds up a few recent DVD releases of ’70s kids’ TV shows. “We open on East London at its grimiest. A hairy three-piece band pace the street terrorising a market community, burning stalls and all that stand in their way. Whether the gang’s Clockwork Orange look is accidental or not, the mixture of comedy and thuggery grabs you immediately. And so begins the opening episode of The Meddlers, a three-part storyline broadcast in 1972, opening the third season of children’s TV series Ace Of Wands.”
Interesting Andrew Marr (“the best ears in the business”) talks about his favourite music .”I think Jarvis Cocker is back to writing really strong, unpredictable stories that feel simplified and cleaned-up after leaving Pulp. I love the music and words of Nick Cave – I’m a real fan. Having said that, not everything on the Grinderman record is great – though No Pussy Blues is very, very funny.” Andrea Corr is reading A Thousand Suns by Khaled Hosseini, the guy who wrote Kite Runner. An Afghan illegitimate girl gets married off to a man much older than her. It’s just really tragic”. Sara Cox is “really looking forward to Prince at the O2, seeing him in front of tens of thousands of his adoring fans. I can still sing every word of Raspberry Beret. I’m always listening to Simon and Garfunkel on my iPod, just the greatest hits. Lily Allen is still on regular rotation along with Jamie T and The Streets.”
Jim Irvin reviews some music DVDs, including Into Tomorrow (as mentioned earlier). He describes it as “a candid documentary. ‘I won’t mention any names but one or two of the band were taking him for granted’ says John Weller, Paul’s Dad – which considering The Jam was a trio, doesn’t leave much room for speculation.”
Rob Fitzpatrick interviews “the planet’s least-fashionable band” Marillion. “In the days before proper browsers, keyboard player Mark Kelly used to interact with fans via message boards. He posted a message apologising to Marillion enthusiasts for the lack of a US tour, but the fans took charge of the situation, opened a bank account and started collecting money to fund one. They raised $60, 000 just for the projected shortfall. And those who donated still had to buy a ticket. ‘That woke us up to two things’, says Steve Hogarth (singer): that our fans were not just nuts about us but were willing to put their money where their mouths were. And that the internet was the future, the perfect medium through which we could communicate with Marillion fans.”
Jude Rodgers catches up on the current exploits of a few ex-musicians: Amelia Fletcher of Tallulah Gosh is Chief Economist at the Office of Fair Trading, Keith Clark, once the drummer with The Circle Jerks, is a tax accountant in Los Angeles and Jon King of Gang Of Four is now “MD of Story Worldwide, a company that ‘delivers multi-channel branded content that is contextually relevant to media-savvy audiences’ (no, we don’t know what it means either).”
Barry McIlheney interviews Van Morrison.