Word #52

Cover star – Nick Cave

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June 2007

Word shuffle

1) P68 – 4 page feature by Graeme Thomson about the continuing careers of dead musicians in the digital age. “In the decade since the internet began influencing the way we discover and consume music, a number of previously low-lying artists have seen their posthumous profiles enhanced by online activity. The net is, after all, the perfect foil for compulsive fandom: the essential pulse of obsession has always been about unearthing the new before anyone else, and a medium that combines technology and community in the eternal now of cyberspace provides the perfect vehicle for expanding the reach of those who died without a platinum album or a Time magazine cover.”

2) P117 – reviews of new albums by Travis (“a fine, cynic-slaying return to the fray”), Wiley (“he’s already contemplating retirement – in the unlikely event he means it, his valediction is a fitting memorial”) and Wilco (“full of melancholy and world-weariness”).

3) P128 – from the book reviews section. David Quantick summarises ‘London Pub Reviews’ by Paul Ewen. “It’s a voyage through the perpetual dark afternoon of a man’s soul, where each pub visit ends like this: ‘I was scooped out of the cushioned waves and thrust onto the dry, safe streets of Chelsea’ (The Surprise in Chelsea) or this: ‘When I came to a barman from the Three Kings was dabbing my face with an ice-cold cloth’ (The Three Kings of Clerkenwell). Impressionistic and possibly even made up, this tour of drinks and drunkeness gives a much more accurate impression of London pub life than some drab star-ratingy guide to ales and facilities.”

4) P19 – After the Only Ones decide to reform after 26 years apart, Graeme Thomson lists some of the bands who could be tempted to get back together again, such as The Smiths, The Stone Roses and Abba. He concludes that it’s unlikely for The Jam. “Previous comments from Weller suggest a certain reticence – ‘It will never happen. Me and my children would have to be starving and in the gutter before I’d even consider that.’ A couple more albums like Studio 150 should do the trick.”

5) P23 – John Naughton interviews Armando Iannucci for the ‘Facetime’ section.

“JN: You went to Oxford, after which I understand you almost had a career in the Civil Service.

AI:  I was doing my Finals and I had no idea what I wanted to do, so I sat the Civil Service exams. Before I knew it, I was up in front of the final board of the Treasury, but eventually they said, ‘We don’t think you’ll take this seriously’, which was probably correct.”

Interesting – Eamonn Forde wonders if Apple and EMI’s recent deal will mean the end of Digital Rights Management. “In the face of profit warnings and a declining market share, EMI is punch drunk and in need of a fix – quick or otherwise. It’s rumoured EMI got a $5M advance by Apple to go down the DRM-free route, but the other, less vulnerable majors won’t be so easily swayed. Both Warner and Universal are implacably opposed to dropping DRM.”

Simon Day reveals his taste in music (“I love rappers, particularly Biggie Smalls, Grandmaster Flash, Aesop Rock, Dr Octagon and all those who don’t make porn films and eat liqeur chocolates with their pants showing and their shoes undone”), TV (“just watched season one of The Wire again on DVD – its dissection of the Baltimore drugs scene is like looking at one of those ant farms in the National History Museum – it shows you everything from the bottom to the top”) and books (“Ingenious Pain by Andrew Miller is impossible to describe, read it now please”).

An interesting letter from Stephen Brown: “Just to let you know that since that article you ran last summer about my old band The Trees being sampled by Gnarls Barkley, our album On The Shore has been reissued and is doing well. Very well considering it was recorded 37 years ago! And to think the ball started rolling because of The Word. Thanks to all at the magazine.”

Sinead O’Connor talks about her place in the music business. “I had the Bono chat; he came round to my flat in north London with an Ella Fitzgerald LP. I just wish I could remember what he had to to say.

In England and Ireland I’m still perceived as this crazy woman. If you’re too honest you just get crucified. Your label tell you it’s your fault. You’re in rehab, they’re on a yacht. Really, no-one gives a flying fuck about you. My advice to a young person going into the music business would be this: don’t. Find something else to do because the price it exacts is too fucking high.”

In the same article, Nigel Blackwell of Half Man Half Biscuit says “I’ve never thought much about the music industry because I don’t feel that I’m part of it. There’s been no career plan and a distinct lack of ambition. It was a happy accident. I’m the last person to give advice, but once it got to a point where I thought I could do this for a living, the less-is-more thing seemed like a good idea. Don’t saturate people.”

Longer article

Jude Rogers interviews Fountains Of Wayne – the most Word band of all Word bands.

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