Cover star – Amy Winehouse
1) P23– the first page of short Tracey Thorn interview by Sylvia Patterson to coincide with the release of Out Of The Woods. Tracey describes the album as “bed-sit disco torch songs” and says that she will never sing live again due to stage-fright.
2) P43 – a full page advert for the Good, The Bad & The Queen which The Times calls “tear inducingly beautiful”
3) P72 – part of a 5 page feature on Tinariwen by Andy Gill. “In Gao we purchase our cheches, the turban headgear made from 3 metres of muslin wound around the head, vital protection from both sun and sand. The indigo one I select it, I’m told, the favoured colour of the Tuaregs – the blue dye that stains the face serves as sunblock, imparting the blueish-brown complexion that led to them becoming known as ‘the blue men’. I, on the other hand, just look like Papa Smurf.”
4) P10 – a double page spread on the news that The BRITs is going live again. “Ever since 1989, when that odd couple Mick Fleetwood and Sam Fox had their lack of TV experience compounded by the incompetence of whoever was directing traffic backstage, the BRIT Awards have been recorded the night before broadcast. This inevitable surrender to the requirements of telly has had the sad effect of depriving the event of the giddy promise of disaster which makes it interesting.”
5) P29 – John Simm is interviewed by Andrew Harrison. “My main memory of 24 Hour Party People is being wasted all the time. If you weren’t on set, someone would come and sort you out. It was very real, shall we say, especially for the lads who were playing Happy Mondays. I don’t know why they’re not dead.”
Interesting – Sylvia Patterson spends some time with Amy Winehouse. “Amy is not your run-of-the-mill gel alright, more the blueprint for a Catherine Tate character called Pop Star In A Skip. A born caricature, she’s an erratic combination of Mae West, Liam Gallagher, Bez, Tracey Emin, Popeye The Sailor Man, a temperamental teenage goth and a lecherous East End barrow-boy to whom everyone is ‘darlin’.”
Graham Gouldman talk to Paul Du Noyer about 10cc. “If Strawberry Studios hadn’t existed I doubt we would have come together. We did two albums there with Neil Sedaka. Then we did an album with this guy called Ramases. He thought he was the reincarnation of Ramases II, but in fact he was a central heating salesman from Sheffield.”
Harry Hill is “…working on a concept album based on the International Top Trumps Society in the style of The War Of The Worlds. It details this game Top Trumps played by Hitler, Bruce Forsyth, Morrissey and Roland Rat. And watching is Helena Christiansen, for some reason. My voice narrates in the Richard Burton style. When Brucie crashes out (he claims his drinks were spiked) I’m asked to sit in. Then it goes into a song, Let Me Play My Top Recipe Top Trumps Cards. I’ve written it, and I’ve laid down all the narrations and recorded one of the songs, with Steve Brown, my musical director. They’re playing recipe card Top Trumps. So Hitler would play his Devilled Kidneys with Rice. And Forsyth would match with Boiled Egg or something.”
Ricki Lee Jones talks about her respect for Laura Nyro. “I loved and adored her. She had long black hair and pale purple lipstick and she played the piano by herself and would wail and put words together in a strange, poetic and super-feminine way with these Bernstein-Stravinsky intervals. In New York Tendaberry she wrote about characters in the city which made me really want to go there.”
Dorian Lynskey has a strange opening to an interview. “So what exactly is The Word?” inquires Bryan Ferry, sounding a little like a high court judge. “Is it in colour?”
Andrew Harrison writes about musical nostalgia and the changes that the iPod has brought.